Wednesday, September 28, 2016

"The Nude As Art" Photography Workshop

In this blog post I am sharing just a few "Social Media" appropriate images but ones I think, represent the artistic opportunity that we offered our participants.
My workshop partner Kiqe Bosch and I have just wrapped up our inaugural "The Nude As Art" photography workshop in Vermont. The reviews are coming in and we are very happy that the experience was a success for our participants!

One participant wrote ~
"I thought the format really worked well. I thought you and Kiqe made an excellent combination and balance.  You both have an artistic eye but bring different perspectives to it. Your personalities are an excellent balance for each other.  It went very smoothly.  I do not think I have ever gone to a workshop or had a trip where I have come away with such learning and an amazing number of usable, good images.  This was just terrific!
Many, many thanks!!!"

So we have decided to offer it again next year. I have added a link to the workshop information for 2017 on the side bar of this blog, or you can click here to access the link. All images here were processed using Photoshop and Perfect Effects by On One.  I hope you can join us!!

Tuesday, May 17, 2016

Hilo, The Big Island Adventure

When I planned my trip to Hawaii, I also planned a trip to the big island to photograph the volcano field in an open door helicopter. I must say it was an absolute blast. I met Bruce Omori who owns and operates the Extreme Exposure Gallery in Hilo,  Ryan, our pilot and Mick Kalber a videographer who owns and operates Tropical Visions Video, at dawn where Paradise Helicopters keeps their fleet in a hangar near the Hilo Airport. It was grey, windy and it had been raining overnight but we decided to fly. Bruce said he likes it best with those conditions. The rain causes steam and saturation. I could not wait to get in the air watching as Ryan took the doors off and dawn broke into day. After a few short instructions we all got in the helicopter and Ryan took off.
I decided to shoot with my 28-300 lens on my D4, as we were only going to be flying for an hour and I did not want to even think about carry two bodies or changing lenses, so this lens selection gave me both choices of wide angle or telephoto, for maximum capture opportunity. Bruce suggested shooting in shutter speed mode at 1/1250. I also set my shooting mode to Continuous high. I set my lens to minimize vibration in active mode, the VR mode Nikon suggests for times when you are hand holding in moving vehicles like trains, cars and well Helicopters I assume! I loaded in a 16 gig XQD card backed up with a CF and I used both of them. At times when we were hovering over a vent I could feel the heat from the earth. It was so cool! or should I say hot! These shots were a few of my favorites from this very special morning shooting! The textures of hot lava and the flows were amazing to see in this foreign to me landscape. I hope to be able to make this trip again!! I can see how shooting this natural earth phenomenon can be addictive!!

Wednesday, April 13, 2016


Sets!!! Yes!!!

Well I have been here 12 days now and have nothing but good things to say! Time flies by though! The first week, after settling into the condo, I enjoyed a day trip to photograph sponsored by Oahu Photography Tours, owned by Alex Wilson. They did a good job getting to good spots and the driver/tour guide was most pleasant.
Yesterday I drove around the island myself exploring places. I had a plan but ended up just rambling, as I often do....turn left, turn right follow your nose kinda ramble. I actually ate a Teddy Burger for lunch and I don't eat red meat but I just had to try one. It was great; Teriyaki Burger with Pineapple! (I won't have another because I am not a red meat eater anymore, but it was good! A rare indulgence!) The high light of my day was hitting the North Shore just before sunset. If you follow me you know I am a beach girl! I love the sea! When I saw those beautiful BIG aqua waves, well lets just say I was in heaven. I could watch waves forever and I mean that! Each one is different and such an amazing creation of energy and beauty! I found a cool little spot to park and put on the, slow lens but the longest one I had with  me, it was low light, the surfers back lit and I wanted a fast shutter ugh!!! Hand holding High ISO...ugh...tough situation but I managed a few keepers after taking some noise out of them with Nik Define 2. I will have to go back to that spot! When I arrived there were two surfers in the water doing their thing...I mean really surfing big waves at sunset...hellooooo.....bliss! Well I was there too. It was a blast for me just to watch and try to get some shots..
This morning I played with a few more images from last nights shoot using Topaz Impression...and I think they capture the essence of the scene and action.

Friday, December 18, 2015

New Adventures ~ "THE NUDE AS ART" Photography Workshops

Its been a while since I made a blog post, yes, because................ I have been working on a very exciting new adventure in photography. I have long been a fan of Ruth Bernhardt's photography and especially her nude work and have often thought about doing nude now the idea is coming to fruition.
Check out Ruth's book, Ruth Bernhardt The Eternal Body.
With this post I am making official, my partnership in photography workshops with a tremendous photographer from Vermont, Kiqe Bosch! He is a people and nude as art photographer and much more! 

So I reached out to Kiqe as I was taken by his work, which communicated with such visual clarity, a connection to his subjects. I wanted to know if he would entertain the idea of co-leading "THE NUDE AS ART" workshops. After a little conversation, to my delight he agreed! So in early December I made a trip to New England and met him, engaged in a studio shoot with two models and visited the Rudyard Kipling Estate as a potential venue for our first offering of "THE NUDE AS ART" photography workshop.

When we walked into the Estate, immediately both of us were taken by the photographic opportunity the house, carriage house and landscape offered. Within 24 hours we had made a deposit!
I appreciated Kiqe's professionalism in setting up the studio and models to work with! They were fabulous! He reserved space in a local dance studio and had lots of creative ideas for working with the models.
I could go on and on about the photographic experience...but I will let a few of the images I made that day speak to the experience.
After much work together, we have launched today the links to register for this very special photographic event! We will only be able to accommodate ten participants as we will actually be staying in The Rudyard Kipling Estate for three nights! (We have one preregistration so there are 9 spaces left)
Yes, you will be sleeping in either the Carriage House or The Rudyard Kipling house! How special is that! We will have catered meals in the house and dine together on premises! This promises to be an immersive experience in photography with two talented artists and educators in an amazing location! I hope you can join us for this very special photographic workshop! For more information and registration CLICK HERE or click on the link on the side bar of this blog. Hope you can join us there!

Saturday, August 15, 2015

A simple "Thank You!" and a few thoughts on street photography

Baltimore's Best! 

Today I led a street photography workshop in Baltimore and the subject of photographing people came up as we walked and observed potential subjects. I have always been willing to approach a person and engage in conversation before I ask them if I can make a portrait photograph. Candid shots in public places however I have never felt compelled to ask and often make the shots from a distance without any knowledge on the part of the subject, that they are being photographed.

The officer above was patrolling the street in Fells Point when I saw him and thought he would make a great subject. In light of all the trouble that has occurred in Baltimore I felt compelled to walk up to him and just say "Thank You." These guys really do put their lives on the line every day and are often villanized by the public or media. Now I am not saying they are all good, but in Baltimore, you really have to have a passion for the job. Public service is not easy!! So I did just that, walked up to him and said "Thank You!" That was my ice breaker, then I asked if anyone got killed overnight; which opened up a conversation. Shortly after that I asked if the group could capture a couple portrait images of him. He obliged willingly and even let me guide him to a shady spot not far away with a clean background. I then showed him my image and offered to e-mail the image to him if he wanted it. I always offer to send the image on to the subject when they are willing to work with me. If I intended to make money off the image or submit it to a magazine, then a "Model Release" would be needed but when teaching or doing personal work, it is not necessary.
I personally have never had more than a speeding ticket so I have no bones to pick with the law. I wanted to capture the essence of this officer in a portrait as he proudly walked the streets. I always get a great response from public servants when I first say "Thank You", either military, fire or police and the truth is I mean it! It's a genuine thought!
Morning Rest

On the other hand for candid shots I never feel compelled to ask. People in public places, are OK to just photograph, and if you don't take that approach as a street photographer you will miss tremendous opportunities. This particular subject was in fact sleeping upright on the bench. I was not about to wake him to ask if I could take this shot. If I had, the shot would have been ruined. The posture would not ever be the same and the natural light on the subject could change. So I stepped back and composed the image I saw in my mind, showing the workshop participants my thoughts on the image capture and composition. You the viewer would have no idea that he was sleeping. To me this image was really about the posture and character of his hands, and the light on the subject. I did not need his face to communicate what I was seeing and reacting to.  The hands told the story, a relaxed pose but lots of hard living.

So next time you find yourself doing some street photography, ask for portraits by breaking the ice with a compliment, engaging in conversation, then asking for a Photo opportunity....
Or embrace serendipity and shoot fast, and don't ask!
Both images were converted to black and white using Google Nik Silver Efex Pro 2.

Monday, August 3, 2015

Landscape "Swipes" Processing

Palouse Abstract Landscape Swipe

Yes, for those of you who follow this blog, it has been a while since I last made a post and I apologize for such a long abscence! It has been a busy year of travel, home maintenance, gym schedules and personal beach time. :-) and, I have just not been motivated to sit down and say anything other than my Facebook posts, which on my personal page are frequent, thanks to the convenience of my iPhone.

New to the Blog: 
I have added a block on the sidebar with a schedule of appearances and other camera club commitments for judging and workshops, they are coming in pretty regularly for fall 2015 and spring 2016. If you click over the dates on the schedule a link to the club event will be generated.

As I was working on the updates, I also grabbed a file from my Spring Palouse trip to process and give you some ideas about processing and making one of my favorite style of images  "The Swipe."

Image Capture and Processing Info:

All my image captures are raw files and require processing. Not news for lots of us who have been capturing digital images for a long time but important to understanding the process.
Raw file:
Raw File: Camera Settings: f/22 1/6 sec 28-300mm at 300mm ISO 100

Capture: Location Steptoe Butte, Washington State

When making landscapes swipes I choose an f-stop with great depth of field so as to render as many "sharp" edges as possible in the raw file. Then I meter the landscape and determine an acceptable shutter speed, somewhere between one second and 1/5 of a second, depending on the ambient light and ISO selection. Generally, shutter speeds over one second are too long. Obstructions in the landscape like telephone poles or dark tree lines can be problematic so knowing what landscapes work for this technique is also important to successful results. The best time of day to make swipes is early morning or late afternoon, unless you have a neutral density filter to cut light and slow the shutter then you can make them any time of day.

Once I have set my exposure variables, I select an area of the landscape to start the exposure and then I move from the waist (like a twist) in a horizontal way, across the landscape triggering the shutter as I begin my movement, creating the abstract image.  Usually I handhold my camera while making "swipes." It is important to try and maintain the horizon level so it takes a little practice.
 Compositionally, I like to divide the frame into thirds, two thirds land one third sky.
As you can see in the Raw file the image looks muddy and might even be considered a throw away, but no...processing a swipe is where you can add the pop!

Processing: Adobe Camera Raw and Photoshop

In Adobe Camera Raw I first added some exposure to the image. Then I used the spot removal tool to get rid of the sensor dust spots which are almost always present when doing a swipe. (It is really important to have as clean a sensor as possible when doing swipes.)
Screen shot:  color filter

Screen shot: a few basic adjustments notice the white point/black point push. All swipes need contrast added in processing  using black point and white point adjustment. I also made specific color channel adjustments in ACR, bringing up the yellows, blues and greens.

In ACR I added a color filter to the top portion of the image changing the color and adding some pop.
I also applied the lens correction filter in ACR.
After making the adjustments in ACR I opened the file in Photoshop and made a few more tweaks toning down the vibrancy and saturation, adding some sharpness and curves.

For those of you who like and have tried swipes and been dissapointed, I hope this information has helped improve your technique and processing.

Thursday, April 16, 2015

There is no bad light...there is just light!!

Boat house reflection
How many times have you heard that said? Well, I believe it is true...given that you are open to any subject matter...if you show up...and are open then you can always make an interesting image.
On a recent workshop I led in Annapolis...the light was harsh, even though we started around sunrise, it was going to be a bluebird sky I like to think what is good in light like that, and sometimes there are subjects that need harsh light for great images, like reflections, shadows and we started looking for those reflections and other opportunities that only present themselves in bright light. The hulls of boats anchored in harbor make interesting graphic subjects..working with a telephoto to really get into the hull and the water line reflected in the still harbor waters.
After a little time working around the harbor the sky really did turn an amazing dark blue...I saw a beautiful wooden mast and put on a neutral density filter in order to cut the light and drag the shutter enough to make an impressionist image of the mast and lines against the blue sky..I was thinking color contrast, shapes (triangle) and photo technique opportunity...
The same boat offered up another opportunity only in black and white as the shadows and lines interested me, with the star on the hull as a point of interest seemingly teetering on the shadow and I loved the kick light from the water on the hull while the lines created the shape of a triangle.
After shooting in the harbor we walked some of the back streets and passed one of my favorite houses on the corner...I always stop there as the morning light strikes in just the right way...I was thinking color contrast, texture and shape (L) as I composed the window off center.

As we continued to walk textures became important in the early morning light, I loved the unusual shape of this porch framing the entryway but even more I loved the way the light was striking and allowing all the textures to be revealed. I saw this as a symmetrical image because of the way the columns framed the doorway.
The pickets in front of the Shiplap house were in need of painting but made for great subjects as the strong light enhanced the texture of the peeling paint. Regarding composition, I was thinking odd numbers but balance and dark background. The Shiplap House itself needed paint. I loved the light on in the we made a few compositions here and then I decided to convert them to monochrome enhancing the textures of the wood and paint. The white pickets and window were striking against the dark red building.
And lastly this image I saw in an upstairs window in the back of a restaurant just before we departed the workshop when the light is strong...look for textures, and reflections, shadows, think monochrome possibilities, keep great compositional ideas working and use creative photography techniques...
I hope you can join me in the field on a workshop in the next field workshop is shooting the tulips at Sherwood Gardens in Baltimore on April 25....if you are interested click here for more information and registration...and thanks for reading and following my blog!