|Aperture f-22 Shutter 1.3 ISO 100 Lens at 200mm Nikon D4 (5 shot composite)|
About this image:
I chose the original composition carefully watching the background as I did not want any "white" holes but instead a full texture of vegetation. Then I made five separate shots keeping the camera position the same on a rock steady tripod. Each image was captured in a different file. The wind was briskly blowing and I chose a small aperture f-22 which gave me a 1.3 second exposure at ISO 100 for each shot. At that shutter speed with the wind blowing each shot was different as the leaves were fluttering and the branches moving with the trunk of the tree fairly steady. I then opened all the images in Photoshop created layers for each one and adjusted opacity, blend modes and masked sections in each layer to get to the final image here. It is a five layer composite, creating a slightly different look than moving the camera for each exposure as in a multiple or a single swipe impression. Would love to hear your thoughts on this image.
I have always loved poetry and find this one from Carl Sandburg fits my image, the season and the idea of change and impermanence.
I cried over beautiful things knowing no beautiful thing lasts.
The field of cornflower yellow is a scarf at the neck of the copper sunburned woman,
the mother of the year, the taker of seeds.
The northwest wind comes and the yellow is torn full of holes, new beautiful things
come in the first spit of snow on the northwest wind, and the old things go,
not one lasts.
Carl Sandburg, 1878-1967.
Hope to see you at Nature Visions Photography Expo in Virginia November 15-16 where I will be sharing two presentations, one on iPhone Photography and the other on Travel Photography...for more info and registration click here.
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